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THE DEATH OF SWEET POLLY Part 2Previously on Underdog, Riff Raff and Mooch made a caper for stealing the 20 bill casing.
They kidnapping Shoeshine Boy to anticipate his move so he won't be Underdog.
Ninja Dog was about to rescue her husband til they disappeared. He told everything to Sweet Polly.
So she's start rescuing her husband til the individual made a drastic move by putting her inside
the TNT room, lighting up a match and eliminating her forever. That individual was Big Boss responsible
for that incident. Now, thanks to him, Shoeshine quits being Underdog for what happened to her.
Is Underdog retires forever as a superhero and will Sweet Polly got killed, permanently?
FIND OUT RIGHT NOW ON....
"THE DEATH OF SWEET POLLY Part 2"
Original Story and Written for DeviantArt by: SHREKULEZ
Story Directed by: SHREKRULEZ
Rated Y7-FV for Mild Adventure Action and Intense Scenes
At the Correctional Facility...
BIG BOSS: We're at Prison, boys.
Boom Boom Murphy, placing a bomb to break the wall d
End Credits for Underdog Vs. the KruncherPRODUCED AND DIRECTED BY: SHREKRULEZ
ORIGINAL STORY AND SCREENPLAY BY: SHREKRULEZ
EXECUTIVE PRODUCER: SHREKRULEZ
PRODUCTION DESIGNED BY: SHREKRULEZ
STORY EDITOR: SHREKRULEZ
CONCEPTIONAL ARTIST: SHREKRULEZ
ASSOCIATE PRODUCER: SHREKRULEZ
A SHREKRULEZ COMIC
In Loving Memory of:
WILLIAM WATTS "BUCK" BIGGERS
SUPERVISING PRODUCER: SHREKRULEZ
EXECUTIVE CREATIVE CONSULTANT: SHREKRULEZ FOR CREATIVE ARTS, INC.
PRODUCTION MANAGER: SHREKRULEZ
ART DIRECTOR: SHREKRULEZ
SPECIAL BUILDING DESIGNS BY: SHREKRULEZ
PROP DESIGNS: SHREKRULEZ
ORIGINAL CONCEPTS: SHREKRULEZ
ART/DESIGN COORDINATOR: SHREKRULEZ
DIALOGUE SUPERVISION: SHREKRULEZ
STORY SUPERVISOR: SHREKRULEZ
STORY COORDINATOR: SHREKRULEZ
BUBBLE SCRIPT SUPERVISOR: SHREKRULEZ
DIALOGUE FIXTURES: SHREKRULEZ
BACKGROUND ARTIST: SHREKRULEZ CROWD ARTIST: SHREKRULEZ COLOR ARTIST: SHREKRU
Red Riding HoodI want to believe people so badly when they say they won’t bite
that I contemplate climbing into their smiling jaws
thinking that it might be better to be split in two than left hanging.
But always, I draw my red hood and flit back into the forest
running in the shadows of pathways, never stepping into clearings
because I’ve spent my whole life in the wilderness
and I still can’t tell the wolves from the woodsmen.
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